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| Brandenburgisches Konzert Nr. 1 F-dur BWV 1046 | ||
| 1-1 | 1. (Allegro) | 3:37 |
| 1-2 | 2. Adagio | 3:09 |
| 1-3 | 3. Allegro | 4:02 |
| 1-4 | 4. Menuet - Trio - Polonaise | 7:32 |
| Brandenburgisches Konzert Nr. 2 F-dur BWV 1047 | ||
| 1-5 | 1. (Allegro) | 4:34 |
| 1-6 | 2. Andante | 3:19 |
| 1-7 | 3. Allegro Assai | 2:35 |
| Brandenburgisches Konzert Nr. 3 G-dur BWV 1048 | ||
| 1-8 | 1. (Allegro) | 5:06 |
| 1-9 | 2. Allegro | 3:50 |
| Brandenburgisches Konzert Nr. 4 G-dur BWV 1049 | ||
| 1-10 | 1. Allegro | 6:11 |
| 1-11 | 2. Andante | 3:19 |
| 1-12 | 3. Presto | 4:16 |
| Brandenburgisches Konzert Nr. 5 D-dur BWV 1050 | ||
| 1-13 | 1. Allegro | 9:43 |
| 1-14 | 2. Affetuoso | 5:46 |
| 1-15 | 3. Allegro | 5:08 |
| Brandenburgisches Konzert Nr. 6 B-dur BWV 1051 | ||
| 2-1 | 1. (Allegro) | 4:26 |
| 2-2 | 2. Adagio Ma Non Tanto | 4:11 |
| 2-3 | 3. Allegro | 4:51 |
| Tripelkonzert a-moll BWV 1044 | ||
| 2-4 | 1. Allegro | 8:13 |
| 2-5 | 2. Adagio Ma Non Tanto E Dolce | 5:06 |
| 2-6 | 3. Tempo Di Alla Breve | 6:44 |
| Ouverture Nr. 1 C-dur BWV 1066 | ||
| 2-7 | 1. Ouverture | 9:37 |
| 2-8 | 2. Courante | 2:35 |
| 2-9 | 3. Gavotte I-II | 3:06 |
| 2-10 | 4. Forlane | 1:13 |
| 2-11 | 5. Menuet I-II | 3:07 |
| 2-12 | 6. Bourrée I-II | 2:26 |
| 2-13 | 7. Passepied I-II | 2:27 |
| Ouverture Nr. 2 h-moll BWV 1067 | ||
| 2-14 | 1. Ouverture | 10:09 |
| 2-15 | 2. Rondeau | 1:53 |
| 2-16 | 3. Sarabande | 3:13 |
| 2-17 | 4. Bourrée I-II | 1:34 |
| 2-18 | 5. Polonaise | 2:49 |
| 2-19 | 6. Menuet | 1:05 |
| 2-20 | 7. Badinerie | 1:21 |
| Ouverture Nr. 3 D-dur BWV 1068 | ||
| 3-1 | 1. Ouverture | 10:24 |
| 3-2 | 2. Air | 4:35 |
| 3-3 | 3. Gavotte I-II | 3:43 |
| 3-4 | 4. Bourrée | 1:33 |
| 3-5 | 5. Gigue | 2:39 |
| Ouverture Nr. 4 D-dur BWV 1069 | ||
| 3-6 | 1. Ouverture | 12:30 |
| 3-7 | 2. Bourrée I-II | 2:37 |
| 3-8 | 3. Gavotte | 1:55 |
| 3-9 | 4. Menuet I-II | 3:40 |
| 3-10 | 5. Réjouissance | 2:24 |
| Ouverture Nr. 5 g-moll BWV 1070 (Bach zugeschrieben) | ||
| 3-11 | 1. Larghetto - Un Poco Allegro | 5:40 |
| 3-12 | 2. Torneo (Allegretto) | 1:07 |
| 3-13 | 3. Aria (Adagio) | 4:03 |
| 3-14 | 4. Menuetto - Trio | 3:07 |
| 3-15 | 5. Capriccio (Vivace) | 3:34 |
| Musikalisches Opfer BWV 1079 | ||
| 4-1 | Ricercar A 3 | 5:43 |
| 4-2 | Canon A 2 Cancrizans | 0:51 |
| 4-3 | Canon A 2 Violini In Unisono | 0:48 |
| 4-4 | Canon A 2 Per Motum Contrarium | 0:34 |
| 4-5 | Canon A 2 Per Augmentationem, Contrario Motu | 2:42 |
| 4-6 | Canon A 2 Per Tonos | 2:36 |
| 4-7 | Fuga Canonica | 2:07 |
| 4-8 | Canon Perpetuus Super Thema Regium | 1:01 |
| 4-9 | Canon Perpetuus | 2:17 |
| 4-10 | Canon A 2 | 1:41 |
| 4-11 | Canon A 4 | 1:52 |
| 4-12 | Sonata A 3 - I Largo | 6:00 |
| 4-13 | Sonata A 3 - II Allegro | 6:01 |
| 4-14 | Sonata A 3 - III Andante | 2:48 |
| 4-15 | Sonata A 3 - IV Allegro | 3:10 |
| 4-16 | Ricercar A 6 | 7:28 |
| Die Kunst der Fuge BWV 1080 | ||
| 5-1 | Contrapunctus 1 | 2:57 |
| 5-2 | Contrapunctus 2 | 2:58 |
| 5-3 | Contrapunctus 3 | 2:54 |
| 5-4 | Contrapunctus 4 | 3:10 |
| 5-5 | Canon Alla Ottava | 3:54 |
| 5-6 | Contrapunctus 5 | 3:26 |
| 5-7 | Contrapunctus 6 A 4 In Stylo Francese | 3:34 |
| 5-8 | Contrapunctus 7 A 4 Per Augmentationem Et Diminutionem | 2:50 |
| 5-9 | Canon Alla Decima In Contrapunto Alla Terza | 4:18 |
| 5-10 | Contrapunctus 9 A 4 Alla Duodecima | 2:22 |
| 5-11 | Contrapunctus 10 A 4 Alla Decima | 4:13 |
| 5-12 | Contrapunctus 8 A 3 | 4:56 |
| 5-13 | Contrapunctus 11 A 4 | 4:14 |
| 5-14 | Canon Alla Duodecima In Contrapunto Alla Quinta | 3:54 |
| 6-1 | Contrapunctus 12 A 4: A. Rectus | 2:20 |
| 6-2 | Contrapunctus 12 A 4: B. Inversus | 2:19 |
| 6-3 | Contrapunctus 12 A 3: A. Rectus | 2:13 |
| 6-4 | Contrapunctus 12 A 3: B. Inversus | 2:15 |
| 6-5 | Fuga A 2 Clav. | 2:12 |
| 6-6 | Alio Modo. Fuga A 2 Clav. | 2:15 |
| 6-7 | Canon Per Augmentationem In Contrario Motu | 4:18 |
| 6-8 | Fuga A 3 Soggetti | 7:31 |
| Canon trias harmonica a 8 BWV 1072 | ||
| 6-9 | Canon Trias Harmonica A 8 | 0:45 |
| Canon a 4 Perpetua BWV 1073 | ||
| 6-10 | Canon A 4 Perpetua | 1:37 |
| Canon a 4 BWV 1074 | ||
| 6-11 | Canon A 4 | 1:50 |
| Canon a 2 perpetua BWV 1075 | ||
| 6-12 | Canon A 2 Perpetua | 0:34 |
| Canon triplex a 6 BWV 1076 | ||
| 6-13 | Canon Triplex A 6 | 0:30 |
| Canon doppio sopr'il soggetto BWV 1077 | ||
| 6-14 | Canon Doppio Sopr'il Soggetto | 0:50 |
| Canon Concordia discors a 2 BWV 1086 | ||
| 6-15 | Canon Concordia Discors A 2 | 1:21 |
| Canon super fa mi a 7 post tempus musicum BWV 1078 | ||
| 6-16 | Canon Super Fa Mi A 7 Post Tempus Musicum | 1:36 |
| Vierzehn Kanons über die ersten acht Fundamentalnoten der Goldberg-Aria BWV 1087 | ||
| 6-17 | 1. Canon Simplex | 0:21 |
| 6-18 | 2. All'roverscio | 0:21 |
| 6-19 | 3. Beede Vorigen Canons Zugleich, Motu Recto E Contrario | 0:16 |
| 6-20 | 4. Motu Contrario E Recto | 0:19 |
| 6-21 | 5. Canon Duplex A 4 | 0:23 |
| 6-22 | 6. Canon Simplex Über Besagtes Fundament A 3 | 0:39 |
| 6-23 | 7. Idem A 3 | 0:20 |
| 6-24 | 8. Canon Simplex A 3 Il Soggetto In Alto | 0:23 |
| 6-25 | 9. Canon In Unisono Post Semifusam A 3 | 0:20 |
| 10. | ||
| 6-26.1 | 10a. Alio Modo, Per Syncoptiones Et Per Ligaturas A 2 | 0:23 |
| 6-26.2 | 10b. Evolutio | 0:52 |
| 6-27 | 11. Canon Duplex Übers Fundament A 5 | 0:52 |
| 6-28 | 12. Canon Duplex Übers Besagte Fundamental-Noten A 5 | 0:33 |
| 6-29 | 13. Canon Triplex A 6 | 0:36 |
| 6-30 | 14. Canon A 4 Per Augmentationem Et Diminutionem | 0:34 |
| Triosonate G-dur BWV 1038 Anh. III 154 | ||
| 7-1 | 1. Largo | 3:50 |
| 7-2 | 2. Vivace | 0:56 |
| 7-3 | 3. Adagio | 2:16 |
| 7-4 | 4. Presto | 1:21 |
| Sonate C-dur BWV 1037 Anh. III 187 | ||
| 7-5 | 1. Adagio | 3:30 |
| 7-6 | 2. Alla Breve | 2:26 |
| 7-7 | 3. Largo | 1:55 |
| 7-8 | 4. Gigue (Presto) | 4:50 |
| Triosonate G-dur BWV 1039 | ||
| 7-9 | 1. Adagio | 3:42 |
| 7-10 | 2. Allegro Ma Non Tanto | 3:32 |
| 7-11 | 3. Adagio E Piano | 2:17 |
| 7-12 | 4. Allegro Moderato | 2:52 |
| Triosonate d-moll BWV 1036 Anh. III 186 | ||
| 7-13 | 1. Adagio | 3:37 |
| 7-14 | 2. Allegro | 2:00 |
| 7-15 | 3. Largo | 3:02 |
| 7-16 | 4. Vivace | 2:14 |
| Sonate für Violine und Cembalo Nr. 1 h-moll BWV 1014 | ||
| 8-1 | 1. Adagio | 3:37 |
| 8-2 | 2. Allegro | 2:58 |
| 8-3 | 3. Andante | 3:17 |
| 8-4 | 4. Allegro | 3:13 |
| Sonate für Violine und Cembalo Nr. 2 A-dur BWV 1015 | ||
| 8-5 | 1. (Ohne Satzbezeichnung) | 3:06 |
| 8-6 | 2. Allegro | 3:09 |
| 8-7 | 3. Andante Un Poco | 2:53 |
| 8-8 | 4. Presto | 4:18 |
| Sonate für Violine und Cembalo Nr. 3 E-dur BWV 1016 | ||
| 8-9 | 1. Adagio | 3:41 |
| 8-10 | 2. Allegro | 3:01 |
| 8-11 | 3. Adagio Ma Non Tanto | 4:33 |
| 8-12 | 4. Allegro | 3:53 |
| Sonate für Violine und Cembalo Nr. 4 c-moll BWV 1017 | ||
| 8-13 | 1. Largo | 4:01 |
| 8-14 | 2. Allegro | 4:23 |
| 8-15 | 3. Adagio | 3:00 |
| 8-16 | 4. Allegro | 4:29 |
| Sonate für Violine und Cembalo Nr. 5 f-moll BWV 1018 | ||
| 8-17 | 1. Largo | 6:23 |
| 8-18 | 2. Allegro | 4:24 |
| 8-19 | 3. Adagio | 2:16 |
| 8-20 | 4. Vivace | 2:21 |
| Sonate für Violine und Cembalo Nr. 6 G-dur BWV 1019 | ||
| 9-1 | 1. Allegro | 3:23 |
| 9-2 | 2. Largo | 1:35 |
| 9-3 | 3. Allegro | 2:50 |
| 9-4 | 4. Adagio | 2:54 |
| 9-5 | 5. Allegro | 3:03 |
| Sonate für Violine und Cembalo g-moll BWV 1020 | ||
| 9-6 | 1. (Ohne Satzbezeichnung) | 3:08 |
| 9-7 | 2. Adagio | 2:56 |
| 9-8 | 3. Allegro | 4:51 |
| Sonate für Violine und Cembalo F-dur BWV 1022 Anh. II 154 | ||
| 9-9 | 1. (Ohne Satzbezeichnung) | 3:08 |
| 9-10 | 2. Allegro E Presto | 2:37 |
| 9-11 | 3. Adagio | 2:21 |
| 9-12 | 4. Presto | 1:17 |
| Fuge g-moll BWV 1026 | ||
| 9-13 | Fuge G-moll | 4:12 |
| Suite für Violine und Cembalo A-dur BWV 1025 | ||
| 9-14 | Fantasia | 2:05 |
| 9-15 | Coutante | 3:46 |
| 9-16 | Entrée | 3:29 |
| 9-17 | Rondeau | 3:39 |
| 9-18 | Sarabande | 4:46 |
| 9-19 | Menuet | 2:52 |
| 9-20 | Allegro | 3:36 |
| Sonate für Violine und Continuo G-dur BWV 1021 | ||
| 9-21 | 1. Adagio | 4:49 |
| 9-22 | 2. Vivace | 0:56 |
| 9-23 | 3. Largo | 2:46 |
| 9-24 | 4. Presto | 1:22 |
| Sonate für Violine und Continuo e-moll BWV 1023 | ||
| 10-1 | 1. Adagio - Adagio Ma Non Tanto | 4:31 |
| 10-2 | 2. Allemande | 4:21 |
| 10-3 | 3. Gigue | 3:02 |
| Sonate für Violine und Continuo c-moll BWV 1024 | ||
| 10-4 | 1. Adagio | 2:49 |
| 10-5 | 2. Presto | 3:28 |
| 10-6 | 3. Affettuoso | 3:34 |
| 10-7 | 4. Vivace | 3:54 |
| Sonate für Violine und Continuo A-dur BWV Ahn. II 153 | ||
| 10-8 | 1. Allegro | 2:10 |
| 10-9 | 2. (Largo) | 3:36 |
| 10-10 | 3. (Allegro Assai) | 1:42 |
| 10-11 | 4. (Adagio) | 3:42 |
| 10-12 | 5. (Allegro) | 2:06 |
| Sonate für Viola da gamba und Cembalo Nr. 1 G-dur BWV 1027 | ||
| 10-13 | 1. Adagio | 3:43 |
| 10-14 | 2. Allegro Ma Non Tanto | 3:36 |
| 10-15 | 3. Andante | 2:14 |
| 10-16 | 4. Allegro Moderato | 3:10 |
| Sonate für Viola da gamba und Cembalo Nr. 2 D-dur BWV 1028 | ||
| 10-17 | 1. Adagio | 1:56 |
| 10-18 | 2. Allegro | 3:53 |
| 10-19 | 3. Andante | 4:25 |
| 10-20 | 4. Allegro | 4:11 |
| Sonate für Viola da gamba und Cembalo Nr. 3 g-moll BWV 1029 | ||
| 11-1 | 1. Vivace | 5:15 |
| 11-2 | 2. Adagio | 5:10 |
| 11-3 | 3. Allegro | 3:40 |
| Sonate für Violine und Continuo G-dur BWV 1019a | ||
| 11-4 | 1. Presto | 3:03 |
| 11-5 | 2. Largo | 1:41 |
| 11-6 | 3. Cantabile Ma Un Poco Adagio | 5:38 |
| 11-7 | 4. Adagio | 1:57 |
| 11-8 | 5. Presto | 3:01 |
| Sonate für Flöte und Continuo C-dur BWV 1033 | ||
| 11-9 | 1. Andante - Presto | 1:46 |
| 11-10 | 2. Allegro | 2:53 |
| 11-11 | 3. Adagio | 1:59 |
| 11-12 | 4. Menuet I - II | 2:46 |
| Sonate für Flöte und Continuo e-moll BWV 1034 | ||
| 11-13 | 1. Adagio Ma Non Tanto | 3:09 |
| 11-14 | 2. Allegro | 2:40 |
| 11-15 | 3. Andante | 3:52 |
| 11-16 | 4. Allegro | 3:34 |
| Sonate für Flöte und Continuo E-dur BWV 1035 | ||
| 11-17 | 1. Adagio Ma Non Tanto | 2:43 |
| 11-18 | 2. Allegro | 3:26 |
| 11-19 | 3. Siciliano | 3:06 |
| 11-20 | 4. Allegro Assai | 3:08 |
| Partita für Flöte solo a-moll BWV 1013 | ||
| 12-1 | 1. Allemande | 4:15 |
| 12-2 | 2. Corrente | 2:51 |
| 12-3 | 3. Sarabande | 4:31 |
| 12-4 | 4. Bourrée Anglaise | 1:52 |
| Sonate für Flöte und Cembalo h-moll BWV 1030 | ||
| 12-5 | 1. Andante | 7:41 |
| 12-6 | 2. Largo E Dolce | 3:40 |
| 12-7 | 3. Presto | 5:24 |
| Sonate für Flöte und Cembalo Es-dur BWV 1031 | ||
| 12-8 | 1. Allegro Moderato | 3:28 |
| 12-9 | 2. Siciliano | 1:58 |
| 12-10 | 3. Allegro | 4:18 |
| Sonate für Flöte und Cembalo A-dur BWV 1032 | ||
| 12-11 | 1. Vivace | 5:10 |
| 12-12 | 2. Largo E Dolce | 3:24 |
| 12-13 | 3. Allegro | |
| Bonus-CD | ||
| Brandenburgisches Konzert Nr. 2 F-dur Bwv 1047 | ||
| 13-1 | 1. (Allegro)Composed By – Johann Sebastian BachDirected By – Trevor Pinnock |
1:16 |
| 13-2 | Interview: Eine Revolution Für Das Musikleben | |
| Messe Des Morts | ||
| 13-3 | SanctusComposed By – Jean GillesDirected By – Reinhard Goebel |
|
| 13-4 | Interview: Der Begriff Alte Musik | |
| Konzert Für 2 Cembali, Streicher Und Continuo C-moll BWV 1060 (Arr. Für Violine, Oboe, Streicher & Continuo) | ||
| 13-5 | 3. AllegroComposed By – Johann Sebastian BachDirected By – Trevor Pinnock |
|
| 13-6 | Interview: Die Barockinstrumente | |
| Sonate Für Blockflöte E-moll | ||
| 13-7 | 5. AllegroComposed By – Francesco ManciniDirected By – Reinhard Goebel |
|
| 13-8 | Interview: Stichwort Quellanlage | |
| 13-9 | Lasse! Comment OublierayComposed By – Guillaume de MachautDirected By – David Munrow |
|
| 13-10 | Interview: In Die Zeut Zurückversetven | |
| Konzert G-dur RV 102 | ||
| 13-11 | 1. AllegroComposed By – Antonio VivaldiDirected By – Reinhard Goebel |
|
| 13-12 | Interview: Zuwachs An Musikalischer Qualität | |
| Didon - Kantate | ||
| 13-13 | Air: "L'amour A Trop D'empire"Composed By – François Collin de Blamont*Directed By – Marc Minkowski |
|
| 13-14 | Interview: Alte Musik Auf Modernen Instrumenten | |
| Oboenkonzert C-dur KV 314 | ||
| 13-15 | 3. Rondo (Allegretto)Composed By – Wolfgang Amadeus MozartDirected By – Hans Stadlmair |
|
| 13-16 | Interview: Neue Massstäbe Im Musikalischen Umgang | |
| Hail, Bright Cecilia! Z. 328 Ode For St. Cecilia's Day | ||
| 13-17 | The Airy ViolinComposed By – Henry PurcellDirected By – Paul McCreesh |
|
| 13-18 | Interview: Stichwort Natürlichkeit | |
| Second Booke Of Songes | ||
| 13-19 | 3. Sorrow, StayComposed By – John DowlandDirected By – Thomas E. Binkley* |
|
| 13-20 | Interview: Spezialisierung | |
| 13-21 | S'elle M'ameraComposed By – Johannes OckeghemEnsemble – Orlando Consort |
|
| 13-22 | Interview: Jede Periode Schafft Ihre Eigene Alte Musik | |
| Wassermusik Suiten 2 & 3 HWV 348 | ||
| 13-23 | 6. BourréeComposed By – Georg Friedrich HändelDirected By – Trevor Pinnock |
Barcode and Other Identifiers
- Barcode (Text): 0028947953845











