- 1891 downloads at 29 mb/s
MP3 version
- 1779 downloads at 15 mb/s
FLAC version
Tracklist
| 1 | –Nathaniel Virgo | {LocalOut.ar(a=CombN.ar(BPF.ar(LocalIn.ar*7.5+Saw.ar([32,33],0.2),2**LFNoise0.kr(4/3,4)*300,0.1).distort,2,2,40));a}.play//#supercollider | 7:14 |
| 2 | –LFSaw | {Splay.ar(Ringz.ar(Impulse.ar([2, 1, 4], [0.1, 0.11, 0.12]), [0.1, 0.1, 0.5])) * EnvGen.kr(Env([1, 1, 0], [120, 10]), doneAction: 2)}.play | 2:10 |
| 3 | –Tim Walters | play{({|k|({|i|y=SinOsc;y.ar(i*k*k,y.ar(i*k**i/[4,5])*Decay.kr(Dust.kr(1/4**i),y.ar(0.1)+1*k+i,k*999))}!8).product}!16).sum}//#supercollider | 4:04 |
| 4 | –Nathaniel Virgo | b=Buffer.read(s,"sounds/a11wlk01.wav");play{t=Impulse.kr;PlayBuf.ar(1,b,1,t,Demand.kr(t,0,Dseq(1e3*[103,41,162,15,141,52,124,190],4)))!2} | 0:06 |
| 5 | –Batuhan Bozkurt | play{f=LocalIn.ar.tanh;k=Latch.kr(f[0].abs,Impulse.kr(1/4));LocalOut.ar(f+CombC.ar(Blip.ar([4,6],100*k+50,0.9),1,k*0.3,50*f));f}//44.1kHz | 4:21 |
| 6 | –Batuhan Bozkurt refactored by Charles Celeste Hutchins | f={|t|Pbind(note,Pseq([-1,1,6,8,9,1,-1,8,6,1,9,8]+5,319),dur,t)};Ptpar([0,f.(1/6),12,f.(0.1672)],1).play//#supercollider reich RT @earslap | 10:53 |
| 7 | –Thor Magnusson | play{x=SinOsc;y=LFNoise0;a=y.ar;(x.ar(Pulse.ar*24)+x.ar(90+(a*90))+MoogFF.ar(Saw.ar(y.ar(4,333,666)),a*XLine.ar(1,39,99,99,0,2)))!2/3} | 1:39 |
| 8 | –Charlie Hoistman | Ptpar(({|i|[i*8,Pbind(scale,[0,2,4,7,9],degree,Pseq(32.fib.fold(0,10),4)+(2*i+i)-10,dur,1+2**i%2/6)]}!4).flat).play // #supercollider | 0:46 |
| 9 | –MCLD | {LocalOut.ar(a=DynKlank.ar(`[LocalIn.ar.clip2(LFPulse.kr([1,2,1/8]).sum/2)**100*100],Impulse.ar));HPF.ar(a).clip2}.play// | 3:29 |
| 10 | –Julian Rohrhuber | /*eclecticity*/ Ndef(x, { SinOsc.ar(BrownNoise.ar(30!2, 200), Ndef(x).ar * LFNoise1.kr(1!2,1,1)) }).play; | 1:31 |
| 11 | –Micromoog | play{VarSaw.ar((Hasher.ar(Latch.ar(SinOsc.ar((1..4)!2),Impulse.ar([5/2,5])))*300+300).round,0,LFNoise2.ar(2,1/3,1/2))/5}//#supercollider | 3:21 |
| 12 | –Jose Padovani | play{x=165;b=SinOsc;p=Trig.ar(Saw.ar(x),1);y=b.ar(p*x);z=b.ar(p);(GVerb.ar(GrainIn.ar(2,y,y/2,z,p*z,-1),9))/9}//basso gettato #SuperCollider | 2:45 |
| 13 | –Batuhan Bozkurt | play{LeakDC.ar(BRF.ar(Saw.ar(8,Decay2.kr(x=Duty.kr(1/8,0,Drand([0,Drand((0.4,0.5..1))],inf)),0.01,0.3))**1.5,x*20+[45.1,45],0.1)).tanh}//#sc | 1:31 |
| 14 | –Nathaniel Virgo | Ndef('x',{x=Ndef('x').ar+0.01;a=BPF.ar(x,6**Latch.ar(x,Dust.ar(x))*200,0.1).sin;9.do{a=AllpassN.ar(a,0.2,{0.2.rand}!2,9)};a+a.mean}).play; | 5:40 |
| 15 | –Jason Dixon | {x=Array.fill(5,{[0.00001,0.03].asSpec.map(LFNoise2.kr)});Splay.ar(Friction.ar(LFTri.ar,friction:x,mass:x*30000))}.play | 0:29 |
| 16 | –Batuhan Bozkurt | play{AllpassC.ar(SinOsc.ar.tanh,0.4,TExpRand.ar(2e-4, 0.4,Impulse.ar).round([2e-3,4e-3]),2)};// #supercollider with bass please... | 4:02 |
| 17 | –redFrik | {RHPF.ar(GbmanN.ar([2300,1150]),LFSaw.ar(Pulse.ar(4,[1,2]/8,1,LFPulse.ar(1/8)/5+1))+2)}.play //punk (loud!) | 0:32 |
| 18 | –Nathaniel Virgo | play{p=PinkNoise.ar(1!2);BRF.ar(p+Blip.ar(p+2,400),150,2,0.1)+LPF.ar(FreeVerb2.ar(*LPF.ar(p+0.2*Dust.ar(0.1),60)++[1,1,0.2,1e4]).tanh,2000)} | 4:15 |
| 19 | –MCLD | {a=[0.02,0.1,1,2,3,4]; k=LFPar.kr(a+0.5).sum; f=Latch.kr(k,Impulse.kr(a)); Splay.ar(SinOsc.ar(f*100+300)/5)}.play // #supercollider | 4:00 |
| 20 | –Sciss | play{2.collect{RecordBuf.ar(Limiter.ar(HPF.ar(Convolution2.ar(k=Crackle.ar(l=Line.kr(1,2,90)),b=LocalBuf,Dust.kr),8)+k)*(2-l),b)}} | 1:30 |
| 21 | –Andrea Valle | {13.do{|i|k="SuperCollider"[i].ascii;20.do{|u|{MoogFF.ar(Saw.ar((k/4).midicps)*EnvGen.ar(Env.perc),u+k*9,k/30)}.play;(k*0.001).wait}}}.fork | 0:28 |
| 22 | –MCLD | play{a=Duty.kr(0.1,0,Dseq(fib.wrap(20,55).midicps,inf));HPF.ar(LeakDC.ar(Splay.ar(LFCub.ar([-1,a,a/3,-2])))*9).clip2/9};//#supercollider | 4:58 |
Credits
- Artwork By – Lola TC
- Curated By – Dan Stowell
Notes
It started as a curious project, when live coding enthusiast and Toplap member Dan Stowell started tweeting tiny snippets of musical code using SuperCollider. Pleasantly surprised by the reaction, and "not wanting this stuff to vanish into the ether" he has recently collated the best pieces into a special download for The Wire's online readership.Many of these pieces are actually generative, so if you re-run the source code (the track titles) you get a new piece of music.
Tracks and sourcecode (c) the authors, published under CC BY-NC-SA 3. Artwork CC-BY.
http://www.thewire.co.uk/articles/3177/
http://supercollider.sourceforge.net/sc140/










