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Tracklist Hide Credits
| 1-1 | –Markus Stockhausen / Rohan de Saram / Stefano Scodanibbio | ImprovisationCello – Rohan de SaramDouble Bass – Stefano ScodanibbioTrumpet – Markus Stockhausen |
7:46 |
| 1-2 | –Karlheinz Stockhausen | HaltDouble Bass – Stefano ScodanibbioTrumpet – Markus Stockhausen |
13:44 |
| 1-3 | –Cornelius Schwehr | innen & außenPercussion – Christian Dierstein |
15:53 |
| Récréations Françaises | 18:06 | ||
| 1-4a | –Gérard Pesson | I L'Harmonieux Forgeron | 1:23 |
| 1-4b | –Gérard Pesson | II Solo De ClarinetteSoloist [Clarinet] – Uwe Möckel |
3:02 |
| 1-4c | –Gérard Pesson | III Effet De Nuit Sur Witten | 1:25 |
| 1-4d | –Gérard Pesson | IV Les Barricades Mistérieuses | 1:47 |
| 1-4e | –Gérard Pesson | V Solo De HautboisSoloist [Oboe] – Jacqualine Burk |
1:14 |
| 1-4f | –Gérard Pesson | VI Knochenmusik | 2:24 |
| 1-4g | –Gérard Pesson | VII Hommage À Claire-Jeanne Jézéquel | 3:05 |
| 1-4h | –Gérard Pesson | VIII Solo De FlûteSoloist [Flute] – Martin Fahlenbock |
2:12 |
| 1-4i | –Gérard Pesson | IX Petite Danse Macabre | 1:34 |
| Five Daily Miniatures | 7:44 | ||
| 1-5a | –Olga Neuwirth | I | 1:39 |
| 1-5b | –Olga Neuwirth | II | 1:38 |
| 1-5c | –Olga Neuwirth | III | 1:50 |
| 1-5d | –Olga Neuwirth | IV | 1:15 |
| 1-5e | –Olga Neuwirth | V | 1:22 |
| Tagträume | 14:27 | ||
| 1-6a | –York Höller | I Mäßig Bewegt, Etwas Verhalten Im Ausdruck | 2:40 |
| 1-6b | –York Höller | II Lebhaft Und Sehr Akzentuiert | 1:09 |
| 1-6c | –York Höller | III Sehr Ruhig, Quasi Träumerisch | 2:40 |
| 1-6d | –York Höller | IV Sehr Lebhaft, Ziemlich Wild | 0:51 |
| 1-6e | –York Höller | V Nicht Zu Ruhig, Zart Im Ausdruck | 3:07 |
| 1-6f | –York Höller | VI Sehr Beweglich Im Tempo, Durchaus Schroff | 1:12 |
| 1-6g | –York Höller | VII Etwas Langsam. Im Tempo Von Der Leiermann Von Franz SchubertComposed By [Tempo] – Franz Schubert |
2:48 |
| Parts | 19:44 | ||
| 2-1a | –Hanspeter Kyburz | I | 5:58 |
| 2-1b | –Hanspeter Kyburz | II | 5:59 |
| 2-1c | –Hanspeter Kyburz | III | 3:50 |
| 2-1d | –Hanspeter Kyburz | IV | 3:57 |
| ...Au Delà Du Hasard | |||
| 2-2a | –Jean Barraqué | I La Nuit Sans Rayons | 37:22 |
| 2-2b | –Jean Barraqué | II Incapables D'Évolutions Et De Retours | 4:26 |
| 2-2c | –Jean Barraqué | III Quelles Marques Éphémères? | 6:15 |
| 2-2d | –Jean Barraqué | IV La Démesure Abusive | 2:06 |
| 2-2e | –Jean Barraqué | V Dans La Multitude Errée | 7:05 |
| 2-2f | –Jean Barraqué | VI Instrumental 1 Et Vocal | 2:03 |
| 2-2g | –Jean Barraqué | VII Pour La Lisière Inconnue Des Hasards | 0:55 |
| 2-2h | –Jean Barraqué | VIII Instrumental 2 | 3:55 |
| 2-2i | –Jean Barraqué | IX Avant La Citation | 0:46 |
| 2-2j | –Jean Barraqué | X Aveuglé Par La Rêve | 0:58 |
| 2-2k | –Jean Barraqué | XI Instrumental 3 | 1:53 |
| 2-2l | –Jean Barraqué | XII ...Au Delà Des Droites Lignes Du Regard | 1:59 |
| 2-2m | –Jean Barraqué | XIII D'Une Pensée Sans Nuit | 3:59 |
| - | |||
| 2-3 | –Helmut Oehring | DokumentaroperCello – Ringela RiemkeConcept By [Klangkonzeption] – Georg MorawietzConductor – Roland KluttigElectronics [Live], Sampler, Tape – Torsten Ottersberg*Ensemble – Kammerensemble Neue Musik BerlinGuitar – Thomas BrunsMezzo-soprano Vocals – Ulrike ZechOboe – Gudrun ReschkeOther [Taubstumme Darstellerinnen] – Christina Schönfeld, Gabriela Arndt, Gerlinde DemelPercussion – Adam WeismanSampler, Tape – Helmut OehringSaxophone – Theo NabichtTrombone – Andrew DigbyTrumpet – Achim GorschTuba – Michael VogtViolin – Steffen TastVoice – Salome Kammer |
13:31 |
| 2-4 | –Caspar Johannes Walter / Carola Bauckholt / Thomas Stiegler / Susanne Walter / Thürmchen Ensemble | LauschangriffCello – Caspar Johannes Walter, Elena AndreyevClarinet – Diego MontesDouble Bass – Miriam ShalinskyEnsemble – Thürmchen EnsembleFlute – Normisa Pereira da SilvaPercussion – Thomas MeixnerViola – Ellen Ruth RoseViolin – Clemens Merkel |
8:11 |
Credits
- Alto Vocals – Christina Ascher (tracks: 2-2a to 2-2m)
- Bass Clarinet – Ernesto Molinari (tracks: 1-5a to 1-5e)
- Cello – Benedikt Leitner (tracks: 1-5a to 1-5e, 2-1a to 2-2m), Lucas Fels (tracks: 1-4a to 1-4i), Peter Hörr (tracks: 1-6a to 1-6g)
- Clarinet – Ernesto Molinari (tracks: 2-2a to 2-2m), Ernst Reiter (tracks: 2-2a to 2-2m), Georg Riedl (tracks: 2-2a to 2-2m), Uwe Möckel (tracks: 1-4a to 1-4i)
- Clarinet, Saxophone [Soprano] – Bernhard Zachhuber (tracks: 2-2a to 2-2m)
- Composed By – Carola Bauckholt (tracks: 2-4), Caspar Johannes Walter (tracks: 2-4), Cornelius Schwehr (tracks: 1-3), Gérard Pesson (tracks: 1-4a to 1-4i), Hanspeter Kyburz (tracks: 2-1a to 2-1d), Helmut Oehring (tracks: 2-3), Jean Barraqué (tracks: 2-2a to 2-2m), Karlheinz Stockhausen (tracks: 1-2), Olga Neuwirth (tracks: 1-5a to 1-5e), Susanne Walter (tracks: 2-4), Thomas Stiegler (tracks: 2-4), York Höller (tracks: 1-6a to 1-6g)
- Conductor – Peter Rundel (tracks: 1-5a to 1-5e, 2-1a to 2-2m)
- Countertenor Vocals – Andrew Watts (tracks: 1-5a to 1-5e)
- Design – zink mediendesign
- Double Bass – Michael Seifried (tracks: 2-2a to 2-2m)
- Edited By [Digitally] – Dirk Franken, Götz Bürki, Karin Maßen, Walter Platte
- Engineer – Andreas Beutner (tracks: 1-1, 1-2), Stephan Hahn (tracks: 1-6a to 2-4), Wolfgang Ellers (tracks: 1-3 to 1-5e)
- Ensemble – Klangforum Wien (tracks: 1-5a to 1-5e, 2-1a to 2-2m), Ravinia Trio (tracks: 1-6a to 1-6g), ensemble recherche (tracks: 1-4a to 1-4i)
- Flute – Eva Furrer (tracks: 2-2a to 2-2m), Martin Fahlenbock (tracks: 1-4a to 1-4i)
- Guitar – Christian Horvath (tracks: 2-2a to 2-2m)
- Harp – Rene Yamahata* (tracks: 2-2a to 2-2m)
- Horn – Christoph Walder (tracks: 2-2a to 2-2m), Peter Hofmann (tracks: 2-2a to 2-2m)
- Lyrics By – Gertrude Stein (tracks: 1-5a to 1-5e)
- Oboe – Isabelle Cholette (tracks: 2-2a to 2-2m), Jacqualine Burk (tracks: 1-4a to 1-4i)
- Percussion – Anton Mittermayer (tracks: 2-2a to 2-2m), Björn Wilker (tracks: 2-2a to 2-2m), Charlie Fischer (tracks: 2-2a to 2-2m), Harald Demmer (tracks: 2-2a to 2-2m), Klaus Zauner (tracks: 2-2a to 2-2m), Lukas Schiske (tracks: 2-2a to 2-2m), Martin Homann (tracks: 2-2a to 2-2m)
- Piano – Saiko Sasaki (tracks: 1-6a to 1-6g)
- Piano [Prepared] – Florian Müller (tracks: 1-5a to 1-5e)
- Piano, Celesta – Marino Formenti (tracks: 2-2a to 2-2m)
- Producer – Harry Vogt
- Saxophone [Alto] – Pierre Stephane Meugé* (tracks: 2-2a to 2-2m)
- Saxophone [Baritone] – Mark Engebretson (tracks: 2-2a to 2-2m)
- Saxophone [Tenor] – Florian Bramböck (tracks: 2-2a to 2-2m)
- Soprano Vocals [1] – Julie Moffat (tracks: 2-2a to 2-2m)
- Soprano Vocals [2] – Deborah Miles-Johnson (tracks: 2-2a to 2-2m)
- Technician – Peter Böhm (tracks: 2-2a to 2-2m)
- Technician [Recording] – Ansgar Ballhorn, Christiane Blanke, Georg Litzinger, Harald Oberhäuser, Karl Fußwinkel, Martin Cichy, Stefan Hackspiel
- Trombone – Andreas Eberle (tracks: 2-2a to 2-2m), Sebastian Fuchsberger (tracks: 2-2a to 2-2m)
- Trumpet – Kurt Körner (tracks: 2-2a to 2-2m), Michael Gross (tracks: 2-2a to 2-2m)
- Viola – Barbara Maurer (tracks: 1-4a to 1-4i), Dimitrios Polisoidis (tracks: 2-2a to 2-2m)
- Violin – Annette Bik (tracks: 1-5a to 1-5e, 2-1a to 2-2m), Kirsten Harms (tracks: 2-2a to 2-2m), Melise Mellinger (tracks: 1-4a to 1-4i), Rainer Schmidt (tracks: 1-6a to 1-6g)
Notes
Recorded at Städtischer Saalbau and Rudolf Steiner Schule Witten, 21st to 23rd April 1995Co-produced by Westdeutscher Rundfunk Köln and Kulturamt der Stadt Witten
"Halt" Werk Nr. 2 Ex 48, from "Donnerstag aus Licht" composed 1978/83, first German audition
"innen & außen" composed 1994
"Récréations Françaises" composed 1993-1995, first audition
"Five Daily Miniatures" composed 1994
"Tagträume", Sieben Klanggedichte, composed 1994, first audition
"Parts" composed 1994-95
"...Au Delà Du Hasard" composed 1959, first German audition
"Dokumentaroper - Bitte sagen Sie mir Ihren Namen noch einmal, ich habe ihn bei der Vorstellung nicht deutlich verstanden", Schlußszene, composed 1994-95, first audition
"Lauschangriff", Kammermusiktheater (Ausschnitt), composed 1994-95, first audition











