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Tracklist Hide Credits
| Section 1: 1981 | |||
| 1 | –P16.D4 | Maba 4. 12.Bass – LLLBass, Guitar, Drums, Vocals – EW*, RW*, RS*Composed By [Concept] – EW*, RW*, RS*Drums, Vocals – Gerd Poppe |
2:05 |
| 2 | –P16.D4 | Kriemhilds RacheComposed By [Concept] – EW*, RW*, RS*Loops [Orchestral], Percussion – RW*Performer [Jazz Improvisation] – Gerd Poppe, RW*, RS*Violin – Thomas Memmler |
3:59 |
| 3 | –P16.D4 | Rotting OutscratchedComposed By [Concept] – RW*, RW*, RS*Turntables – RS* |
5:41 |
| Section 2: 1987 | |||
| 4 | –P16.D4 | 4 10 Up / 3 DownComposed By [Concept] – RW*, SS*Organ [Electric] – Pense*, RW*, SS* |
3:11 |
| 5 | –P16.D4 | Sabine Mit Helmut ...Composed By [Concept] – RW*Piano [Electric], Violin [Electric] – RW* |
1:46 |
| 6 | –P16.D4 | ... Their Coffin-Shaped ClockComposed By [Concept] – SS*Piano [Bösendorfer], Tape [Careful Tape Destruction] – SS* |
1:32 |
| 7 | –P16.D4 | Das Lamm, Der DolchComposed By [Concept] – RW*, SS*Performer [Wasserspülung], Gong, Didgeridoo, Trombone – Goedecke* |
3:37 |
| 8 | –P16.D4 | Acrid Addled AdzeComposed By [Concept] – EW*, RW*, RS*, SS*Performer [Wandschrank], Effects [Reverb], Electronics – EW*, RW*, RS*, SS* |
2:26 |
| Section 3: Musique Concrète Improvisée | |||
| 9 | –P16.D4 | Half Cut CrowsComposed By [Concept] – EW*, RW*, RS*, SS*Performer [Mics], Mixed By – RW*Performer [Standby] – SS*Turntables – EW*, RS* |
10:14 |
| 10 | –P16.D4 | InterfacesComposed By [Concept] – RW*, RS*, SS*Performer [Kohlekasten, Kohleschaufel, Shaver, Radio], Electronics, Tape – RW*, RS*, SS* |
5:35 |
| Section 4: P16.D4 & Merzbow | |||
| 11 | –P16.D4 & Merzbow | Zur Genese Der HalbbildungComposed By [Concept] – Merzbow, P16.D4Loops [Choir, Orchestra], Organ [Church], Electric Guitar, Electronics – P16.D4Mixed By – MerzbowMixed By [Final], Edited By – P16.D4Percussion, Turntables, Violin, Electronics – Merzbow |
19:49 |
Credits
- Cover – Markus Caspers
- Photography By – Horst Maus
Notes
Section 1: All tracks of this section are based on material recorded in 1981 which was treated and recomposed in 1987. The idea was to work with early rock-recordings in a non-nostalgic way analysing the relations between actual and early-80 approaches.Section 2 consists of compositions featured on the Captured Music Festival, February 1987. Since the performance was denominated by confrontation and combination of acoustic and optic elements, the tracks were rearranged as "pure acoustic" features.
Section 3: Whilst the tracks of the other 3 section are composed with studio-techniques these are improvised direct-to-tape.
Acrid Acme (Of) P16.D4
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