Tracklist Hide Credits

1	Too Bad Written-By – Billy Meyers , Elmer Schoebel	2:56
2	Snag It (First Version) Piano, Vocals – Richard M. JonesWritten-By – Joseph Oliver*	3:09
3	Deep Henderson Vocals [Vocal Break] – Barbarin*Written-By – Fred Rose	3:01
4	Jackass Blues Vocals – Georgia TaylorWritten-By – Art Kassel, Mel Stitzel	2:59
5	Sugar Foot Stomp Vocals [Vocal Break] – Scott*Written-By – Joseph Oliver*	2:52
6	Wa Wa Wa Written-By – Mort Schaeffer	2:45
7	Tack Annie Written-By – Joseph Oliver*, Paul Barbarin	2:48
8	Someday Sweetheart Clarinet – Johnny DoddsWritten-By – Benjamin Spikes*, John Spikes	2:50
9	Dead Man Blues Written-By – Anita Gonzales, Jelly Roll Morton	2:39
10	New Wang Wang Blues Written-By – Buster Johnson, Gus Mueller, Henry Busse	2:51
11	Snag It (Second Version) Written-By – Joseph Oliver*	3:00
12	Doctor Jazz Written-By – Joseph Oliver*, Walter Melrose	2:53
13	Showboat Shuffle Written-By – Barney Bigard, Joseph Oliver*	2:54
14	Every Tub Written-By – Joseph Oliver*, Paul Barbarin	3:00
15	Willie The Weeper Written-By – Grant Rymal, Marty Bloom, Walter Melrose	2:50
16	Black Snake Blues Written-By – Jesse Johnson*, Victoria Spivey	2:54
17	Farewell Blues Written-By – Elmer Schoebel, Leon Roppolo, Paul Mares	2:50
18	Sobbin' Blues Written-By – Art Kassel, Vic Berton	2:32
19	Tin Roof Blues Written-By – Pollack*, Brunies*, Leon Roppolo, Mel Stitzel, Paul Mares, Walter Melrose	2:55
20	West End Blues Written-By – Clarence Williams, Joseph Oliver*	3:01
21	Sweet Emmalina Vocals – Clarence WilliamsWritten-By – Andy Razaf, Jack Palmer	2:45
22	Lazy Mama Written-By – Al Gifford, Len Gray	2:43

Companies, etc.

• Distributed By – BMG Music
• Manufactured By – GRP Records, Inc.
• Phonographic Copyright (p) – MCA Records, Inc.
• Copyright (c) – GRP Records, Inc.
• Published By – MCA Inc.

Credits

• Banjo – Bud Scott (tracks: 1 to 15), Leroy Harris (tracks: 19 to 22)
• Clarinet, Alto Saxophone – Darnell Howard (tracks: 7 to 11), Ernest Elliot (tracks: 19 to 22)
• Clarinet, Soprano Saxophone, Alto Saxophone – Albert Nicholas (tracks: 1 to 6), Billy Paige (tracks: 1 to 6)
• Clarinet, Soprano Saxophone, Tenor Saxophone – Barney Bigard (tracks: 1 to 16), Omer Simeon (tracks: 12 to 16)
• Clarinet, Tenor Saxophone – Arville Harris (tracks: 19 to 22)
• Coordinator [GRP Production Coordinator] – Michael Pollard
• Coordinator [Michael Pollard Assisted By] – Doreen Kalcich
• Cornet – Joe "King" Oliver*, Thomas "Tick" Gray* (tracks: 12 to 16)
• Creative Director [GRP] – Andy Baltimore
• Design [Graphic Design, Assisted By] – Emili Bogin
• Design [Graphic Design] – Andy Ruggirello, Dan Serrano, David Gibb, Scott Johnson , Sonny Mediana
• Drums – Paul Barbarin (tracks: 1 to 16)
• Executive-Producer – Dave Grusin, Larry Rosen
• Liner Notes – Richard Hadlock*
• Photography By [Back Cover] – The Institute Of Jazz Studies*
• Photography By [Front Cover] – The Frank Driggs Collection*
• Piano – Clarence Williams (tracks: 19 to 22), Luis Russell (tracks: 1 to 16)
• Reissue Producer – Orrin Keepnews
• Reissue Producer, Remastered By [Digital Transfers By] – Steven Lasker
• Remastered By [Audio Restoration And Reprocessing] – Erick Labson
• Soprano Saxophone, Alto Saxophone – Paul Barnes (tracks: 17, 18), Paul "Stump" Evans* (tracks: 7 to 11)
• Trombone – Jimmy Archey (tracks: 17 to 22), Edward "Kid" Ory* (tracks: 1 to 16)
• Trumpet – Bob Shoffner (tracks: 1 to 11)
• Tuba – Bert Cobb (tracks: 1 to 15), Cyrus St. Clair (tracks: 19 to 22)

Notes

All tracks recorded in Chicago, except as indicated.
Tracks 1 and 2 recorded Thursday, March 11, 1926.
Track 3 recorded Wednesday, April 21, 1926.
Track 4 recorded Friday, April 23, 1926.
Tracks 5 and 6 recorded Saturday, Mary 29, 1926.
Track 7 recorded Friday, July 23, 1926.
Tracks 8 to 11 recorded Friday, September 17, 1926.
Tracks 12 to 15 recorded Friday, April 22, 1927. Identification of Scott and Cobb on these tracks is uncertain.
Track 16 recorded in Chicago or St. Louis; Wednesday, April 27, 1927. Banjo and tuba unidentified.
Tracks 17 and 18 recorded in New York City; Friday, November 18, 1927. Soprano and alto saxes possibly Paul Barnes. Second cornet, clarinet doubling tenor sax, piano, banjo, tuba, and drums unknown. Barney Bigard has been suggested for the clarinet doubling tenor sax, but after listening disagreed.
Tracks 19 to 22 recorded in New York City; Monday, June 11, 1928.

Publishing Information
Track 1 published by EMI Feist Catalog/ASCAP.
Tracks 2, 5, 11, 20, 21, and 22 published by MCA Inc./ASCAP.
Tracks 3, 6, 7, 9, 13, 15, 18, and 19 published by Edwin H. Morris & Co. Inc./ASCAP.
Track 8 published by George Simon Music/ASCAP.
Track 10 published by EMI Feist Catalog, Bienstock Publishing Co./ASCAP.
Track 12 published by International Music, Inc., Edwin H. Morris & Co. Inc./ASCAP.
Track 17 published by Belwin Mills Publishing Corp., Edwin H. Morris & Co. Inc./ASCAP.
No publishing information provided for tracks 4, 14, and 16.

Barcode and Other Identifiers

• Barcode: 011105161626
• Matrix / Runout: PILZ DIGIP GRP 16162292
• Rights Society: BIEM/GEMA

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
GRD-616	King Oliver	Sugar Foot Stomp (The Original Decca Recordings) ‎(CD, Comp)	GRP, Decca Jazz	GRD-616	US	1992